For the past 20 years, I’ve had the privilege of teaching African dance across the country and around the world. My journey has been filled with incredible experiences and a deep connection to my cultural roots. But as I’ve traveled and taught, I’ve seen an important question arise: Is it good or bad for someone who is not from the culture to teach African dance?
Understanding Culture: A Responsibility for All
One of the most important lessons I’ve learned is that being a great dancer or a skilled teacher isn’t enough when it comes to teaching a dance form deeply rooted in culture. Whether you’re from the culture or not, there’s a pressing need for greater cultural understanding at every level of the dance world. It’s not enough for something to look good on stage or in a classroom—what truly matters is its authenticity and respect for the culture it represents. Think about it this way: To become a doctor, you have to go through years of schooling, pass countless exams, and invest a significant amount of money. Dance and culture deserve the same level of commitment and respect.
My Recommendations for Aspiring African Dance Teachers
If you’re not from the culture but are interested in teaching African dance, here are a few recommendations I’d offer based on my years of experience:
Dedicate 3-5 Years to Learning: Before stepping into a teaching role, spend several years taking classes, studying, and receiving guidance from a mentor who is deeply rooted in the culture.
Focus on One Style: Choose one Afro-dance style as your foundation—whether it’s Ndombolo, Azonto, Coupé-Décalé, or another. Mastery comes from depth, not breadth.
Check Your Motivation: Teaching should never be just about money or fame. Your primary motivation should be a genuine love for the dance and respect for the culture it represents.
Advice for Students: Seek Authenticity
For those of you taking classes, here’s my advice: Be demure and mindful. Ask questions. Find out where your teacher learned their craft and the origins of the steps they’re teaching. Start investing your time and money in places where you see authenticity and real work. Don’t be swayed by “cool” steps or the popularity of an instructor—dig deeper and seek out those who truly understand and respect the culture they’re teaching.
Culture Appreciation vs. Culture Appropriation
It’s important to remember that there’s a thin line between cultural appreciation and cultural appropriation. Respecting that line is crucial. If you see something that doesn’t sit right with you, take action—even small steps can make a difference.
As I continue my journey, I do so with love and a commitment to honoring the culture that has given me so much. If you’re passionate about African dance, I encourage you to approach it with the same respect and dedication. Together, we can ensure that this beautiful art form continues to thrive in a way that honors its roots.
Like always feel free to share your thoughts!
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